Playing one last solo concert in Austria at impuls festival before starting my new project Connecting the Dots and traveling the world for one year!
Michael Jarrell | Assonance II (1989)
Manuela Meier | iterate no trace (2015)
Petra Stump-Linshalm | MADAME PELE (2021)
David Lang | press release (1992)
25. July 2023 | 11:00
@impuls festival – TiP Theater im Palais, Graz
She embodies Pele, the fire goddess, who ignites passion in us, makes us debate heatedly and argue furiously. She paints a comforting picture of a familiar hand in your own in the dead of night. She leaves the space-time-continuum in search of the intangible that can be experienced but not explained:
BASSticcio – a multimedia microcosm of contemporary music for bass clarinet.
In her first solo programme, Anna Koch weaves innovative commissioned compositions with her own improvisations into an unheard-of whole, seeking to cross boundaries and find common ground.
Hunter Long | you say you like the dark and your hand in mine (2019)
Bruno Liberda | Zähmung des Umstandes (2020)
Petra Stump-Linshalm | MADAME PELE (2021)
11. June 2023 | 20:00
@Ruprechtskirche, Vienna
Józef Koffler | Ukrainische Skizzen
Nava Hemyari | Frigus (UA)
Roman Haubenstock-Ramati | Decisions
Peter Ablinger | Das angekündigte Stück (UA)
Platypus Ensemble
in cooperation with IMAGO DEI
25. March 2023 | 19:00
@Klangraum Krems Minoritenkirche
spread new austrian
sound of music to the world
connecting the dots
Peter Ablinger | Not Available (ÖEA)
Steffi Weissman | Fountain
Tamara Friebel | Crown thy Earth – Coloured with Saffron (UA)
Albert Fine | Ice Cream Piece
Tom Johnson | Counting Duets Nr.1
Peter Ablinger | studien nach der natur
Hannes Dufek | die dinge ohne uns, ihre langsamkeit und die freiheit der menschen (in musik) (UA)
15. December 2022 | 19:30
@Reaktor
Ramon Lazkano | Errobi 2
Kaija Saariaho | Oi Kuu
Mariá Luc | Lur
Mikel Urquiza | Atelier de Giacometti
Zurine Gerenabarrena | Artizar
Beat Furrer | Presto
Helga Arias | A Common Sense of Self
19. November 2022 | 19:30
Bernaola Zikloa
@Conservatorio de Música Jesús Guridi, ESP
Bernhard Gander | Schlechtecharakterstücke
Dmitri Kourliandski | Punctuation Marks
Lisa Streich | Asche
Nava Hemyari | Euthanasia
Raphaël Cendo | Rokh I
Reinhold Schinwald | Grid
28. October 2022 | 19:30
@Reaktor
Music at its Extremes: Platypus presents a programme, that points out the contrasts in dynamic and density in music and brings them to its limits.
Pierre Boulez | Dérive
Ivan Fedele | Maja (ÖEA)
Sara Glojnarić | sugarcoating #2
Hyun Joo Kim | Harmonia (UA)
Alexey Shmurak | grey concerto
Mathias Schmidhammer | Fallen Leaves (UA)
22. April 2022 | 19:30
@Reaktor
Badezimmer als Bühnen für fluxus-Partituren aus den 60ern sowie
zeitgenössische Interpretationen und gegenwärtige Kommentare zum fluxus, zur incidental music.
Fließend, fluxistisch, fluid, nass.
9. April 2022 | 18:00 Uhr
Events in 8 privaten Wiener Badezimmern und einem Lokal
by @aiaia
skug – Interview: „Bad Ideas“
mica-Ankündigung: nass zell flux
She embodies Pele, the fire goddess, who ignites passion in us, makes us debate heatedly and argue furiously. She paints a comforting picture of a familiar hand in your own in the dead of night. She leaves the space-time-continuum in search of the intangible that can be experienced but not explained:
BASSticcio – a multimedia microcosm of contemporary music for bass clarinet.
In her first solo programme, Anna Koch weaves innovative commissioned compositions with her own improvisations into an unheard-of whole, seeking to cross boundaries and find common ground.
15. January | 20:00
@Echoraum
Hunter Long | you say you like the dark and your hand in mine (2019) UA
Petra Stump-Linshalm | Madame Pele (2021) UA
Bruno Liberda | Zähmung des Umstandes (2020) UA
David Lang | Press Release (1991)
bass clarinet | Anna Koch
music | Petra Stump-Linshalm, Hunter Long
camera | Sebastian Schmid
video | Anna Koch
outfit | lila
pumpkin field | Franz Figl
Im still floating on cloud nine! So happy about how my solo program turned out. Next time I’m going to play an encore for sure, to prolong the feeling on stage just for some more minutes.
Anna Koch | Clarinetist